The Fenaa Alawwal exhibition, “Unfolding the Embassy,” has taken Riyadh by storm, offering a thought-provoking glimpse into the future through the eyes of global artists. Curated by Sara Al-Mutlaq and featuring scenography by Studio GGSV, the exhibition challenges visitors to contemplate the evolving role of embassies in a rapidly changing world.
Transporting visitors to the year 2040, the exhibition presents a futuristic vision where a SpaceX satellite orbits the Earth, serving as a backdrop for a reception area adorned with artworks that double as decorative pieces. As visitors navigate the space, they are confronted with questions about the fate of Earth and humanity in the face of technological advancements, climate change, and shifting political landscapes.
The diverse lineup of artists from Saudi Arabia, Kuwait, Egypt, Palestine, Bosnia, Zambia, and Belgium brings a global perspective to the exhibition, addressing pressing issues such as artificial intelligence, migration, identity, and climate change. Saudi artist Ahaad Al-Amoudi’s “Frying Pan” video installation delves into the complexities of memory and navigation in a world where the past is constantly reshaped by the present.
Egyptian artist Ahmad Hammoud’s works, “Flag of the Stateless” and “Passport of the Stateless,” use the symbol of the housefly to represent the plight of stateless individuals worldwide, challenging Western colonial views and highlighting the strength and resilience of marginalized communities.
Photography plays a significant role in the exhibition, with works by Dia Murad, Naif Al-Quba, Federico Acciardi, and Peter Bogaczewicz capturing the intersection of natural and built environments in Saudi Arabia. Bogaczewicz’s series, “Surface Tensions,” explores the impact of human intervention on the environment, reflecting on the irreversible changes brought about by modern civilization.
As visitors immerse themselves in the exhibition, they are encouraged to contemplate the role of fiction in shaping our understanding of reality and the arbitrary nature of truth. With works by artists such as Dima Srouji, Abbas Zahedi, and Lana Cmajcanin, “Unfolding the Embassy” invites viewers to envision a future where the boundaries between fact and fiction blur, challenging them to rethink their perceptions of the world around them.
Running until Sept. 1, the exhibition promises to spark conversations about the future of diplomacy, technology, and humanity, urging visitors to consider the impact of their actions on the world we inhabit.