The Transformation of ‘The Fall Man’ from Dark Noir to Maximalist Love Story

Director Jane Schoenbrun has sparked interest with their idea for an Agent Smith origin story in the wake of Warner Bros. announcing a fifth installment in “The Matrix” franchise. Schoenbrun, who identifies as nonbinary, sees potential in exploring the character of Agent Smith, the AI antagonist from the original trilogy, in a new light.

In a recent interview, Schoenbrun discussed how “The Matrix” resonates with trans themes, which align with their own work and personal experiences. Their latest horror film, “I Saw the TV Glow,” delves into themes of identity and self-discovery, particularly focusing on a teenager named Owen who grapples with a burgeoning trans identity.

The film follows Owen’s obsession with a TV show called “The Pink Opaque,” which serves as a metaphor for his own journey of self-realization. Schoenbrun’s approach to storytelling is described as a provocative exploration of the intersection between art and commerce, reflecting their own values and beliefs.

Through the characters in the film, including Owen and Maddy, Schoenbrun delves into the complexities of identity and self-acceptance. The film’s narrative unfolds in a way that mirrors the internal struggles of its characters, particularly Owen, who finds solace and escape in the world of “The Pink Opaque.”

Overall, Schoenbrun’s unique perspective and approach to storytelling in “I Saw the TV Glow” offer a thought-provoking and introspective look at themes of identity, queerness, and self-discovery. The film’s reception among trans audiences further validates Schoenbrun’s decision to craft a narrative that speaks to personal experiences without needing explicit labels.